Architecture: Arabesque Futurism
•Re-imagining the Kasbah: Re-engineering high-density cliff dwellings into advanced visual systems. This series blends biological stone textures with high-end digital structures to create a grounded, tactile reality.
•Speculative Desert Structures: A study in high-tech desert iconography. These structures use precise lighting physics and geometric fidelity to bridge the gap between ancient stone and advanced glass engineering.
•Modern Persian Monoliths: Moving beyond stock templates to engineer unique architectural assets. This collection focuses on pure geometry and minimalism, using light and shadow to build structures that look 100% real.
•The Architecture of Patterns: A precise mix of historical Persian motifs and advanced visual engineering. Every structure is designed with total tactile fidelity, ensuring the materials and lighting are indistinguishable from reality.
•Engineered Ancient Space: Bridging the gap between primitive forms and a surreal digital reality. This archive focuses on the collision of natural textures and architectural tiling, built from scratch using specific lighting and angle logic.
Fashion: Engineered Heritage
•Engineering Ancient Luxury: This series re-imagines Persian headwear as high-impact visual systems. I used Digital Arabesque motifs and Synthetic Weaving to ensure the silk textures and gold halos achieve total Tactile Fidelity.
•Geometric Fidelity in Silk and Steel: A precise study in Commercial Surrealism. These garments bridge the gap between heavy-woven robes and advanced, white-carbon exo-structures, built using rigorous manual refinement for geometric perfection.
•Prismatic Visual Engineering: Focusing on the light physics of iridescent crystal masks and high-end studio lighting. Every asset is engineered to pass the "Cinematographer's Eye" test, ensuring the materials look 100% real.
•The Speculative Nomad Archive: Moving beyond stock templates to build a cohesive reality of hybrid assets. This collection documents the collision of historical Persian dress and modern mechanical hardware.
•Visual Systems in Fabric: A clean, professional study in symmetry and contrast. I engineered these oversized silhouettes to feature vibrant, high-contrast motifs that function as unique commercial brand assets.
Food: The Nomad Table
•Engineering the Nomad Table: This series re-imagines traditional provisions as high-end visual assets. I focused on the sub-surface scattering of preserved fruits and the rough, physical texture of artisan bread to achieve total tactile fidelity.
•High-Contrast Culinary Assets: A study in Commercial Surrealism. By merging biological textures with high-end studio lighting, I have engineered food visuals that bridge the gap between historical heritage and digital realism.
•The Still Life of Patterns: Moving beyond standard food photography to engineer unique commercial assets. This collection documents the collision of organic food forms and Digital Arabesque motifs found on engineered cutlery.
•Tactile Fidelity in Provisions: Every asset passes the Cinematographer’s Eye test, ensuring correct lighting physics on salt crystals and cured meats. It is a precise mix of old-world flavor and advanced visual engineering.
•Visual Systems: Still Life: A clean, professional study in symmetry and contrast. I used a foundation in cinematography to build a cohesive world where the textures of the harvest are as precise and beautiful as architectural tiling.
High-resolution assets available upon request.