Pop-Art Provocations
This batch explores the friction between mundane consumerism and industrial power. By applying a Synthetic Identity methodology, I wrap everyday artifacts—the iconic banana, leather boots, and glass bottles—in the same high-saturation, pop-art textures as lethal objects like grenades and bullets.
Utilizing vibrant color fields and heavy halftone detailing, each asset is engineered to simulate a tactile screen-print aesthetic, forcing a dialogue between the harmless and the hazardous.
Utilizing vibrant color fields and heavy halftone detailing, each asset is engineered to simulate a tactile screen-print aesthetic, forcing a dialogue between the harmless and the hazardous.
Atomic Pop
This series rebrands the extinction-level event as a consumerist fantasy. The mushroom cloud—once a symbol of absolute, terrifying finality—is stripped of its heat and radiation, rendered instead in a vibrating palette of electric pinks and synthetic teals. By applying a heavy, industrial halftone grain, I've engineered a "Tactile Fallout" where the catastrophic becomes decorative.
This is the commodification of the unthinkable: gas masks transformed into high-fashion totems and nuclear blossoms that bloom with the sterile perfection of a screen-printed advertisement. It is a visual manifesto on our obsession with the beautiful edge of disaster.
This is the commodification of the unthinkable: gas masks transformed into high-fashion totems and nuclear blossoms that bloom with the sterile perfection of a screen-printed advertisement. It is a visual manifesto on our obsession with the beautiful edge of disaster.
The Halftone Harvest
This series strips the human skull of its weight and tragedy, rebranding the evidence of death as a vibrant, shelf-ready product. By drenching bone in electric violets and radioactive yellows, the archive treats our finality as just another colorway in a global catalog.
The introduction of the "Skull-Apple"—a fusion of biological decay and forbidden fruit—suggests that even our most primal symbols have been harvested for the factory floor. Each piece is defined by a heavy, mechanical grain that mimics the grit of a physical ink-press, turning the "Memento Mori" into a loud, disposable advertisement for the end of the self.
The introduction of the "Skull-Apple"—a fusion of biological decay and forbidden fruit—suggests that even our most primal symbols have been harvested for the factory floor. Each piece is defined by a heavy, mechanical grain that mimics the grit of a physical ink-press, turning the "Memento Mori" into a loud, disposable advertisement for the end of the self.
Nature’s Aggression
This archive flattens the biological impulse of the predator into a loud, commercialized spectacle. Nature’s most lethal mechanisms—the serrated teeth of the deep-sea hunter, the gaping, venom-charged maw of the serpent, and the arced stinger of the scorpion—are stripped of their survivalist context and rebranded as high-contrast icons.
By isolating these threats against vibrating fields of radioactive green and electric teal, the work explores the friction between organic violence and aesthetic pleasure. A gritty, mechanical screen-print grain defines every curve, suggesting that in our world, even a lethal strike is just another disposable image destined for the gallery wall.
By isolating these threats against vibrating fields of radioactive green and electric teal, the work explores the friction between organic violence and aesthetic pleasure. A gritty, mechanical screen-print grain defines every curve, suggesting that in our world, even a lethal strike is just another disposable image destined for the gallery wall.
Halftone Hysteria
This archive captures the volatile spectrum of the human condition, rebranding our most private convictions as bold, industrial-grade decor. The collection oscillates between the manic convulsion of hysterical laughter and the heavy, oil-slicked tracks of public grief, equalizing every emotion through a lens of high-octane saturation.
While weathered, etched portraits document the stoic endurance of time, the inclusion of "The Weepers"—subjects with thick, obsidian tears—suggests a world where sorrow is just another pigment load for the printing press. From the drifting smoke of a solitary cigarette to the wide-mouthed roar of joy, the human spirit is harvested, flattened, and sold as a vibrant, disposable facade.
While weathered, etched portraits document the stoic endurance of time, the inclusion of "The Weepers"—subjects with thick, obsidian tears—suggests a world where sorrow is just another pigment load for the printing press. From the drifting smoke of a solitary cigarette to the wide-mouthed roar of joy, the human spirit is harvested, flattened, and sold as a vibrant, disposable facade.
Metallic Breath
This collection explores the tension between cold, industrial surfaces and the fluid, vibrant energy of a single breath. By concealing the face behind racing visors and chrome-plated helmets, the human subject is transformed into a high-fashion machine.
The only sign of life is a thick, neon-drenched vapor that escapes the armor, drifting across dark urban alleys and graffiti-scarred walls in heavy plumes of electric pink and deep teal. It is a study of presence through absence—where the identity is hidden, and the exhaust becomes the art.
The only sign of life is a thick, neon-drenched vapor that escapes the armor, drifting across dark urban alleys and graffiti-scarred walls in heavy plumes of electric pink and deep teal. It is a study of presence through absence—where the identity is hidden, and the exhaust becomes the art.
The Idol
The final movement of this archive deconstructs the ultimate commercial vessel: the feminine idol. This series navigates the friction between curated perfection—manifested in neon-drenched bubblegum bubbles and manicured laughter—and the jagged, ink-stained reality of public breakdown. Weeping eyes, heavy with obsidian mascara, collide with radioactive pinks and electric blues, suggesting that in the factory of fame, sorrow is simply another aesthetic layer for consumption.
Every subject is flattened into a mechanical halftone grid, turning the raw intimacy of a scream or a tear into a shelf-ready, mass-produced icon.
Every subject is flattened into a mechanical halftone grid, turning the raw intimacy of a scream or a tear into a shelf-ready, mass-produced icon.
This concludes the archive—a multi-movement symphony of saturated noise where humanity is finally and fully converted into a high-contrast asset.
High-resolution assets available upon request.